![]() ![]() ![]() Naturally Angel Dust by Faith No More came out just about at the right time for me: it was weird, wonderful and none of the people around me liked it. I did not need nor wanted that and I sought refuge by moving far and wide in opposing directions: I embraced prog rock and death metal. I was eighteen and just about coming out of my suicidal tendencies years (not the band). Grunge became ubiquitous and metal as I knew it morphed into a depression-obsessed genre played by people wearing flannel in the middle of summer. Marco LG: The summer of 1992 is where things started to go downhill musically for me. The fact that the album ends with a cover of John Barry's Midnight Cowboy suits the mood perfectly, but the stretched-out, tense moments on Caffeine and the soaring charge of Everything's Ruined makes for other good examples." ( AllMusic (opens in new tab)) " Angel Dust steps up the meta-metal of earlier days with the expected puree of other influences, further touched by an almost cinematic sense of storming atmosphere. Now everybody wants to sound like them." ( Drowned In Sound) At the time it sounded like nobody else in the world. " Angel Dust is a haemorrhage of ideas that, at the time, stuck out like a sore thumb: whilst others preened and whined, Faith No More simply followed their own path. " Angel Dust is a coming-of-age record where the main protagonist is corrupted by success and channels it into razor-sharp observations, cabalistic weirdness and peculiar onanistic sexual practices, a fucked up futuristic Manga Treasure Island or a Star Wars with sordid kicks and experimentalism in strange time signatures." ( The Quietus) Even now, after listening to Angel Dust, other rock music suddenly seems to have far fewer ideas. On the rear: skinned animals and chopped-up meat. On the front cover is a beautiful image of a swan emerging from an azure background. The whole thing resounds with these combinations.Ī lovely metaphor for the visceral artistry of Angel Dust can be found in the album’s sleeve art. But the band had lost no aptitude for melody either. There isn’t a second in Angel Dust that isn’t crammed with whirling ideas and clashing sounds. Many of the lyrics were even cooked up in a sleep-deprivation experiment the singer endured – see the self-help psychosis of Land Of Sunshine or the gale-force paranoia of Caffeine. The singer’s idiosyncratic character is smeared all over Angel Dust. ![]() Just describing it is difficult – a twitchy, erratic symphony that spins through different movements and moods, always on edge.ĭespite publicly giving the impression that he was just killing time in FNM until his 'other band' Mr Bungle hit the big time, singer Mike Patton excelled himself. Angel Dust’s music is worlds away from anything FNM had previously put their name to. ![]()
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